Brace yourselves, metalheads, as Wasted Death unleash their sonic onslaught upon the world with their full-length debut album, "Season Of Evil". Infused with horror, and with zombies everywhere eating into your brain through sledgehammer rifferama, Wasted Death bring their influences ranging from thrash and grindcore to hardcore punk and d-beat metal into an album which redefines what it means to be heavy in 2024.

Now, as the world slides into chaos, UNFOLD return with "Feral Future", their fifth album. A new singer, a new guitarist and more keyboards for even more chaos. This album symbolizes the band's unwavering commitment to the intrinsic transformative power of music. With savage riffs and haunting melodies, listeners will confront their darker side as they immerse themselves in chaos, and emerge transformed.

Something to Consume is the critically acclaimed 2025 debut studio album by Austin-based alternative rock band Die Spitz, released via Third Man Records. Produced by Will Yip, the 11-track record delivers a massive, abrasive wall of sound that seamlessly fuses elements of grunge, punk, thrash rock. The project is defined by the band’s unique collaborative dynamic, where members fluidly swap instruments and lead vocal duties across tracks. Thematically, the album explores the multi-faceted concept of consumption, from modern societal greed and substance abuse to the overwhelming nature of love, identity, and political frustration. This raw, chaotic energy has earned the band widespread critical praise and explosive mainstream momentum.

Visions in Bloom (2022) is a masterful and refreshing journey through progressive psychedelic rock, heavily infused with 90s alternative textures and punky fuzz. Often described by listeners as a glorious, meandering rock opera akin to the heavy, infectious craftsmanship of Queens of the Stone Age, the album seamlessly bridges the gap between catchy hooks and powerful sonic explorations. Stylistically, Spiral Drive balances neo-psychedelia, grunge, and space-rock sensibilities, creating dynamic, texturized soundscapes where every track feels distinct yet flows effortlessly into the next. Driven by driving basslines, swirling guitar riffs, and layered production, the album serves as a captivating, high-energy trip that establishes the band as a powerhouse in the modern psych-rock scene.

Deep Sage (2024) is a masterclass in modern post-hardcore that brilliantly bridges the gap between intense, abrasive punk and expansive 90s alternative rock. Recorded almost entirely live to tape by engineer Jack Shirley, the album captures a raw, visceral energy that highlights the band's musical evolution toward more complex, texturized sonic landscapes. Stylistically, Gouge Away moves beyond pure hardcore fury to incorporate elements of noise rock, angular indie, and lush shoegaze, defining their sound through the sharp contrast between heavy dissonance and melodic atmosphere. Vocalist Christina Michelle anchors this dynamic shift with an incredible vocal performance, effortlessly transitioning from fierce, unhinged screams to quiet, melancholic spoken-word verses. Lyrically, the record serves as a heavy, introspective exploration of climate anxiety, isolation, and the overwhelming weight of the unknown, making Deep Sage both their most diverse and emotionally mature release to date.

Hailing from central Britanny, Stonebirds deliver crushing and emotionally charged sludge metal, with their first two LPs forging a unique blend of atmospheric and organic heaviness, strong melodies and harrowing clear vocals. New album "Collapse and Fail" heralds the return of a band The Sludgelord calls, "one of the Europe’s more intriguing stoner/doom performers today."

An Undying Love For A Burning World is an epic album of colossal hypnotism - beautiful, fearsome and utterly compelling in a way that only Neurosis can be. Aaron Turner (Sumac, Isis) joins the band on vocals and guitar, a name whose legacy is intertwined with the band’s own and a true kindred spirit.
[...] On every song in the band’s history, Neurosis shifts restlessly between tension and relief, invoking a feeling both feral and transcendent in listeners. The band describe their songwriting process as an inescapable impulse to create with each other - a need rather than a choice. Indeed, the band insist that their return is “not a reunion - we never broke up.”

Do you like your riffs loud? Listen to this album. Do you like your music without frills? Listen to this album? Do you like your breakdowns absolutely filthy? Listen to this album. Do you like things like melody, mood, or dynamics? You won’t find much of them here, but honestly you will probably still have a good time listening to this album. Source <a href="https://www.sputnikmusic.com/review/87687/Harms-Way-USA-IL-Common-Suffering/" target="_blank">Sputnikmusic.com</a>

At times the album’s sound has nods to classic Swedish 70s psych/prog/folk acts such as Arbete & Fritid, Charlie & Esdor and Träd, Gräs & Stenar. ‘Vakna’ takes on this influence, progressing across nearly six minutes of swaying, warping guitar solos, without ever breaking out into chaos.

SLIFT’s ILION is a towering work of rock music, a steamrolling record that starts at the highest peak and never lets up. If that sounds overwhelming, trust that this Toulouse trio have you in good hands. Their third full-length feels massive and oceanic, merging the furious intensity of metal and the wigged-out guitar heroics of psych rock with post-rock’s epic sense of scale. ILION is the kind of music where you listen to it and think to yourself, “This came from only three people?” It sure did, and SLIFT’s utter ferocity is way more than a tempest in a teacup. It reaches outwards for miles and creates new zeniths within unforeseen horizons of rock.